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GT Pressura
Refreshed

GT Pressura uses the visual gesture of ink spreading under pressure as a stylistic device, bringing the warmth of analog print back to the digital design space. Available exclusively at Grilli Type, now with extended weights and a refreshed design.
M
Mono
  • Light Italic
  • Text Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
M
Standard
  • Light Italic
  • Text Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
M
Extended
  • Light Italic
  • Text Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic

Constructing
History

GT Pressura draws inspiration from conceptual art and Constructivist aesthetics.

In 2008, Marc Kappeler and Dominik Huber began designing GT Pressura. The designers of Moiré (a Zurich-based graphic design studio) needed a typeface for a book about conceptual art in the former Soviet Union and decided to design their own. During their research, they were inspired by early Constructivist artists to achieve their vision: A contemporary typographic solution combining utilitarianism and abstract-driven aesthetics.

GT Pressura was first released in 2012, followed by Cyrillic language support in 2017. This 2022 update is Marc and Dominik’s Swiss Style take on the typeface: grid-driven, polished, and charismatic.

Constructivist art inspired GT Pressura’s design

Setting the Standard

GT Pressura nods to industrial uses of type that were more for utility than anything else—like on shipping boxes, where condensed typography proved to be highly functional within limited space.

GT Pressura’s narrow design and low contrast makes for large, expressive typesetting that maintains a comfortable rhythm and a strong visual impact.

GT Pressura is inspired by the functional typography found on shipping boxes

Mono Mechanics

GT Pressura’s mechanic personality is packed tightly into this Mono version that’s based on typewriter style, emphasizing its warmth and regularity. The uppercase letters from the Standard width serve as the basis for an even more rigorous Mono width, and added italics bring flexibility to its strict nature.

Every character of GT Pressura Mono is the same width

Extended Efforts

The Extended subfamily gives GT Pressura room to breathe, embracing a more organic rhythm with a variety of character widths. In its departure from GT Pressura’s strict beginnings, the type becomes more elegant and “more Swiss Style,” according to Moiré. Extended has the approachable proportions of a modernist grotesque typeface with completely mechanical design details.

Warehouse
Evergiven
Freighting
Containers
Shipping
Intermodal
Standard

Extended
The extended width adds more rhythm to the typeface

Digitizing
Analog

Heavy Metal
Sharp type from lead-carved printing blocks begins the process.
 
Paper Pressure
The stamp is pressed into paper, causing the ink to spread and expand the original letter form.
On Screen
The printed type gets digitally reconstructed and vectorized.
 

Design Principle

GT Pressura’s form is inspired by the transfer of ink to paper, where stamped letters transform under the pressure of a printing press and emerge on the paper as a completely new version of the type—rounded and imperfect, an element of the design that only exists as a result of this process.

Typography’s evolution has embraced changing technologies, eventually bringing extremely polished HiFi versions of once-metal typefaces to the screen. GT Pressura recovers the warm characteristics of analog design and optimizes them for the digital age.

Shape Shifting

GT Pressura is constructed with strategic half-arcs and straightened elements to form the skeleton of the typeface. The quarter-circle shapes are assembled and then adjusted to allow for flexibility in the design, contrasting a monotone width and industrial horizontals with simple, unrefined shapes.

Weights & Families

This new version of GT Pressura comes with three added weights: Text, Medium, and Black. Text counters the added weight from the ink gain for a more regularized body copy weight, while Medium and Black allow for bolder expressions. The rounded letters always create the same outline no matter the weight, behaving the way that letters would in analog printing. Each weight appears slightly heavier than the name suggests to reflect the results of ink under pressure.

Refreshed Design

GT Pressura gets a thoughtful update from its original 2012 version. The Extended style allows for a new freedom of movement, and added intermediate weights increase design possibilities.

The spacing has been overhauled to more accurately fit the typeface’s proportions: descenders are slightly shortened to allow for more economical typesetting with less line spacing, and white spaces now correspond better with each letter—rigid design with a techno beat.

Already have licensing for GT Pressura? Download your order again to update your font files.

Fit
Weight

Width 

Italic

Language
Support

All of our typefaces cover the Latin alphabet, including additional characters required to support almost 200 languages—from Afaan to Zuni. GT Pressura features Cyrillic, Greek, and Vietnamese add-ons and typeface matching for Chinese, Japanese, and Korean.

Latin+ and Vietnamese

The Standard GT Pressura encoding now supports 196 Latin-based languages. We’re also offering a Vietnamese add-on to complement the typeface, created in consultation with Donny Trương.

Cyrillic

As GT Pressura’s roots came from Cyrillic-centric arts, this was the first language addition to the typeface. Its newest version also includes a re-worked character set, developed in consultation with Anya Danilova.

Greek

The Greek script is an ideal language extension because of its visual crossover with the Latin and Cyrillic alphabets. We consulted Vassilis Georgiou to ensure that the type feels familiar to native-readers.

Chinese, Japanese, and Korean Typeface Matching

Our partners at Type Project, Sandoll, and Arphic designed Chinese, Korean, and Japanese type options that work with GT Pressura’s style. These matching fonts are available upon request.

Simplified Chinese
AR JingXiRunHei
We’ve worked with our Taiwan-based partner Arphic to match GT Pressura with their typeface AR JingXiRunHei for Simplified Chinese. A Traditional Chinese option is also available.
Japanese
TP Sky Round
We’ve collaborated with our Japanese partners Type Project on many designs. To match GT Pressura, they chose their typeface TP Sky Round. It includes both Kanji and Kana characters.
Korean (Hangeul)
Sandoll GothicNeoRound
We’ve collaborated with Sandoll to match their typeface Sandoll GothicNeoRound with ours—this typeface performs well both functionally and aesthetically with GT Pressura.

GT Pressura
Overview

GT Pressura unearths the imperfections of analog design and optimizes them for the digital age in a newly refreshed family. A new Standard is set, Mono holds space in the balance, and Extended showcases what’s possible when you allow the type to draw its own boundaries. New weights complement each subfamily’s unique design.
Mono Standard Extended
Light
Aa Bb Cc
Text
Dd Ee Ff
Regular
Gg Hh Ii
Medium
Jj Kk Ll
Bold
Mm Nn Oo
Black
Pp Qq Rr
Basic Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
0
1
2
3
4
5
6
7
8
9
Extended Latin
Á
Ă
Â
Ä
Æ
Ǽ
À
Ā
Ą
Å
Ã
Ć
Č
Ç
Ĉ
Ċ
Ď
Đ
É
Ĕ
Ě
Ê
Ë
Ė
È
Ē
Ę
Ğ
Ǧ
Ĝ
Ģ
Ġ
Ħ
Ĥ
Í
Ĭ
Î
Ï
İ
Ì
IJ
Ī
Į
Ĩ
J
Ĵ
Ķ
Ĺ
Ľ
Ļ
Ŀ
Ł
Ń
Ň
Ņ
Ɲ
Ñ
Ŋ
Ó
Ŏ
Ô
Ö
Œ
Ò
Ő
Ō
Ǫ
Ø
Ǿ
Õ
Ŕ
Ř
Ŗ
Ś
Š
Ş
Ŝ
Ș
Ŧ
Ť
Ţ
Ț
Þ
Ú
Ŭ
Û
Ü
Ù
Ű
Ū
Ų
Ů
Ũ
Ŵ
Ý
Ŷ
Ÿ
Ȳ
Ź
Ž
Ż
Ə
á
ă
â
ä
æ
ǽ
à
ā
ą
å
ã
ć
č
ç
ĉ
ċ
ď
đ
é
ĕ
ě
ê
ë
ė
è
ē
ę
ğ
ǧ
ĝ
ģ
ġ
ħ
ĥ
í
ĭ
î
ï
ı
ì
ij
ī
į
ĩ
j
ĵ
ȷ
ķ
ĸ
ĺ
ľ
ļ
ŀ
ł
ń
ʼn
ň
ņ
ɲ
ñ
ŋ
ó
ŏ
ô
ö
œ
ò
ő
ō
ǫ
ø
ǿ
õ
ŕ
ř
ŗ
ś
š
ş
ŝ
ș
ŧ
ť
ţ
ț
þ
ú
ŭ
û
ü
ù
ű
ū
ų
ů
ũ
ŵ
ý
ŷ
ÿ
ȳ
ź
ž
ż
ß
ð
ə
Alternate Lowercase a
a
á
ă
â
ä
à
ā
ą
å
ã
á
ă
â
à
ã
Vietnamese
Á
Ă
Â
À
Ã
Đ
É
Ê
È
Í
Ì
Ĩ
Ó
Ô
Ò
Ơ
Õ
Ú
Ù
Ư
Ũ
Ý
á
ă
â
à
ã
đ
é
ê
ế
è
í
ì
ĩ
ó
ô
ò
ơ
õ
ú
ù
ư
ũ
ý
Cyrillic
А
Б
В
Г
Ѓ
Ґ
Д
Е
Ё
Ж
З
И
Й
Ҋ
К
Ќ
Л
М
Н
О
П
Р
С
Т
У
Ў
Ф
Х
Ч
Ц
Ш
Щ
Џ
Ь
Ъ
Ы
Љ
Њ
Ѕ
Є
Э
І
Ї
Ј
Ћ
Ю
Я
Ђ
Ѣ
Ѳ
Ѵ
Ғ
Ҕ
Җ
Ҙ
Қ
Ҝ
Ҟ
Ҡ
Ң
Ҥ
Ҧ
Ԥ
Ҩ
Ҫ
Ҭ
Ү
Ұ
Ҳ
Ҵ
Ҷ
Ҹ
Һ
Ԧ
Ҽ
Ҿ
Ӏ
Ӂ
Ӄ
Ӆ
Ӈ
Ӊ
Ӌ
Ӎ
Ӑ
Ӓ
Ӕ
Ӗ
Ә
Ӛ
Ӝ
Ӟ
Ӡ
Ӣ
Ӥ
Ӧ
Ө
Ӫ
Ӭ
Ӯ
Ӱ
Ӳ
Ӵ
Ӷ
Ӹ
Ӽ
Ԑ
Ԓ
Ԝ
Ҏ
а
б
в
г
ѓ
ґ
д
е
ё
ж
з
и
й
ҋ
к
ќ
л
м
н
о
п
р
с
т
у
ў
ф
х
ч
ц
ш
щ
џ
ь
ъ
ы
љ
њ
ѕ
є
э
і
ї
ј
ћ
ю
я
ђ
ѣ
ѳ
ѵ
ғ
ҕ
җ
ҙ
қ
ҝ
ҟ
ҡ
ң
ҥ
ԥ
ҧ
ҩ
ҫ
ҭ
ү
ұ
ҳ
ҵ
ҷ
ҹ
һ
ԧ
ҽ
ҿ
ӏ
ӂ
ӄ
ӆ
ӈ
ӊ
ӌ
ӎ
ӑ
ӓ
ӕ
ӗ
ә
ӛ
ӝ
ӟ
ӡ
ӣ
ӥ
ӧ
ө
ӫ
ӭ
ӯ
ӱ
ӳ
ӵ
ӷ
ӹ
ӽ
ԑ
ԓ
ԝ
ҏ
Greek
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
Ά
Έ
Ή
Ί
Ό
Ύ
Ώ
Ϊ
Ϋ
α
β
γ
δ
ε
ζ
η
θ
ι
κ
λ
μ
ν
ξ
ο
π
ρ
ς
σ
τ
υ
φ
χ
ψ
ω
ί
ϊ
ΐ
ύ
ϋ
ΰ
ό
ώ
ά
έ
ή
Numbers – Punctuation – Symbols
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Typeface Credits

Designed by Dominik Huber and Marc Kappeler (Moiré). Script extensions by Dominik Huber with Grilli Type. Exclusively available at Grilli Type. Consulting by Panos Haratzopoulos (Greek) and Donny Trương (Vietnamese).

Website Credits

Website and animations designed by Grilli Type. Website developed by Grilli Type and Jack Wild.

CJK Credits

Simplified and Traditional Chinese matching typeface designed by Arphic. Japanese matching typeface designed by Type Project. Korean matching typeface designed by Sandoll.

Animation
Type